Archives for category: New media

Andrew Lih of American University gave an incredibly helpful Fast-Track Video Shooting session last fall at the Online News Association’s ONA14 convention in Atlanta. Lih great advice on when video is a suitable storytelling form and showed outstanding examples of long and short documentary-style video storytelling.

When is video appropriate for a given story? Video tells great stories about people. If you have a great character who is representative of a particular issue, it works really well. One example: A New York Times video about a calculus teacher titled “Wright’s Law: A Unique Teacher Imparts Real Life Lessons.”

The kind of form we emphasize in Multimedia Journalism, the documentary-style video, works well if you have someone who is good on camera, is well-spoken, and has the knowledge to speak confidently about their subject.

Lih showed an excellent longer documentary video by Vice on the controversy surrounding the use of 3-D printers to make guns. Its title: “Click. Print. Gun.”

Another example: “Secrets from the Potato Chip Factory,” by NPR’s Planet Money team.

Lih’s advice on shooting technique was also pretty great. Highlights:

Things you DO NOT want to do:

  • Zooming a lot.
  • Talking a lot during the shoot.

Things you WANT to do:

  • Shoot 10-second clips when doing B-roll.
  • Don’t move. Use a tripod.
  • Zoom with your feet, not with the camera.
  • Listen to the audio while you shoot. This helps you recognize when something goes wrong (battery in mic dies, cable disconnects, etc.) or when you need to shoot again due to distracting background noise.
  • Remember to shoot an establishing shot before you go in for your interview. Otherwise, you are likely to forget to do it.
  • Lens position for interview shoots: At eye level. Low angle looking up makes your subject look heroic. High angle looking down diminishes your subject.
  • Position of the camera in relation to the interviewer: Two feet to your shoulder. Encourage your subject to look at you, not the camera.
  • As you interview, take notes and watch the time monitor and note the time in each of the pieces. Use these notes as a guide to where the story is going. Use them also as a “scavenger hunt” list. You can use this list to remind you to ask your subject, “Do you have any photographs of such-and-such that you mentioned in the interview?” You might be able to use them in editing the videostory.
  • If your subject looks all over the place, point at your eyes, and make eye contact. Coaching your subject how to sit is completely natural in the TV world; so it goes in online video.
  • To get your subject comfortable talking with them, a lot of TV people will start with nonsense questions like “What did you have for breakfast?” Don’t make your first question, “So, did you KILL that guy or what?”

 

 

 

This one goes out to My Beloved Multimedia Journalism Students:

This is just to give you a gauge on your progress on the blogging portion of your grade. As you know from reading the syllabus, 30 percent of your grade in the course comes from your regularly posting items on your blog that are related to your blog topic.

Some of you have been creating killer content. Others haven’t been blogging much. You know who you are. So do I. Check yourself against the next several paragraphs to know what you need to do to earn the grade of your choice. Hey, it’s your grade; how well do you want to do?

If you have about 10 blog posts up at this point and they are substantial, you’re right on track. Keep it up at the current pace and you’ll lay down enough to ace this part of your final grade. (No, just a photo and one sentence are not enough to even qualify as a post for our purposes; see “What is enough content to be considered a complete post?” below for guidance.)

If you have about eight up, you’re a little behind an “A” pace and at this rate you’ll probably eke out a B if you continue at this pace.

If you have six or fewer, you’d better get a couple of posts up each week for the rest of the semester unless you just want to end up with the minimum of 10 posts for a C.

Five or fewer? There’s still time to turn things around, but you have backed yourself into a serious hole. Find stuff to write about that’s interesting and relevant to your topic. Repeat as necessary, which for you will be two or three a week till the end of April.

What is enough content to be considered a complete post? It’s not enough to just post a picture, a photo gallery, even an audio slideshow or a video, without providing a short introduction to what awaits the viewer if they click the link. You need a headline with good SEO principles applied, about 75 words of introduction to your photo/slideshow/gallery/video/what have you, and the content (either embedded in the post or linked to on a host server such as Google Drive, which everybody now knows how to do after the audio slideshow assignment). Multimedia means more than one kind of media. In most parts of the online world, you have to sell audiences on your content. Give them a reason to click the link! Just don’t do one of those Upworthy headlines, of which I am sick. When you tease to multimedia content, you are making a promise of what to expect. Be sure you don’t promise more than you can deliver.

We’re into the homestretch. I want to see you all get good grades, but you do have to earn them through your effort, skill, creativity and enterprise (not necessarily in that order).

In case you have misplaced your syllabus, these are the guidelines for grading the blog posts:

REGULAR BLOG POSTING: 30 PERCENT OF YOUR FINAL GRADE
The instructor will, from time to time, assign you to write a blog entry discussing online journalism and related topics. These will be identified as mandatory blog posts. Mandatory topics will be announced in class and posted on the class blog, located at mjfuhlhage.net/courses/multimedia-journalism-spring-2014/. Beyond that, you need to keep up a regular blog. “Regular” means “every week and a half or so.” In addition to mandatory blog posts, you’ll be shooting for 10 to 15 blog posts throughout the semester…

The key here is that you write something interesting and witty. It must be a professionally oriented blog. Your blog needs to be passionate and subjective and have feeling. There should be some primary source reporting. For examples of what I am looking for, check out http://unknowncity.wordpress.com/. You are expected to publish in your blog about once a week. If I see that you have dumped a lot of blog entries in the days before the semester ends, I will mark you down significantly. I will grade you on a minimum of 10 entries during the semester (note that this is a minimum; if you want an A, work it!) We will use WordPress, a free blogging platform …

You will do three kinds of posts for this course: Three mandatory focused, three mandatory critique, and at least four freestyle. Grammar, style, punctuation, and AP style all matter. Accuracy matters. Attribution (giving credit to others’ work, ideas, and quotes) matters. Here’s what I’m looking for from you:

Mandatory focused posts: Three of your posts will be on a topic of your choice relating to your topic area. These must be 300 to 500 words, with links to at least two websites.

Mandatory critique posts: Three of your posts will be journalistic critiques, each dissecting a journalistic/nonfiction audio story; a video story; and an interactive story or a data visualization. These will be 300 to 500 words, with links to the stories you critique. It’s up to you to pick the subject of your critique. These are the ingredients of a good critique: description of the content; link to the content; assessment of its content (use of human and document sources, whether and how it hooked your attention effectively, whether it was well organized); and assessment of its presentation (Was sound/video quality good? For data visualizations, were they usable?).

Freestyle posts: At least four of your posts need to be briefer posts (75 to 200 words) on a topic of your choice relating to your topic area. You may report your own original content, or you may comment on others’ journalistic work (and you must always link to that work). As an alternative, you may use Storify.com to curate shared and sharable online content and embed or link to it on your blog.

Keep the blog posts coming. Regular posting is the way you build a following and boost your blog’s position in search results.

Best,
Dr. Fuhlhage

Gosh Almighty, I hope this is the problem ...

Gosh Almighty, I hope this is the problem …

A Google Drive problem has vexed a student and me for the last 24 hours.

After preparing a really nicely done Soundslides presentation, my student emailed to say she was having trouble uploading the files to Google Drive. She followed all the steps in journotech.co.uk’s fantastic Using Google Drive as a Web Host post. Yet it would not allow her to upload folders inside the publish_to_web folder; whether with drag-and-drop or hitting the upload files button inside Drive, it just wasn’t letting it work.

She brought her laptop in and we looked at her files; they looked in order. We noticed that in Drive, the icon for her folders looked different than the one for my folders. When she clicked on the 400_300 and 600_450 files, they would not open. Mine, however, did in my Drive.

After beating our heads against the problem for about an hour (and after she showed her beautifully done audio slideshow to me on her computer), I conceded defeat with apologies for not being able to figure out the problem.

And it just kept nagging at me. I wrapped up some grading and returned to the problem, replicating the steps with a test upload on my Drive. And when I hit the upload button, the same thing happened to me: It would not let me load folders, only files.

I backed up a couple of steps. And that’s where I think I found the problem.

When you hit the little upload button, it asks if you want to upload a folder or files. I think if you click on it without noticing that option, Drive assumes you want to upload files. This time, I selected folder, then uploaded the contents of the publish_to_web folder. Then I clicked index.html, then hit preview.

The thing worked. Here it is (and it’s just a quick-and-dirty to demonstrate how to upload these things to Drive). To test whether that explains the incomplete preview of the Soundslide presentation, I tried uploading to Google Drive by just clicking the upload file indiscriminately; when I did so, Drive assumed I just wanted to upload files. Drive will upload either a folder that contains a bunch of stuff (it could have a mix of folders and files inside) if you use the “Upload>Folder” option. If you use “Upload>Files” and you point it inside a folder (like the publish_to_web folder) and try to select all the folders and files inside it, it will only upload the files. The result will be something that looks like this shell of a Soundslides project that I uploaded to test this theory.

I really hope this is the solution for my student. After this testing, I am certain it is.

Incidentally, these are the directions I gave in class before spring break for how to upload the projects:

INSTRUCTIONS FOR POSTING AUDIO SLIDESHOW TO YOUR BLOG

  1. In Soundslides, complete your slideshow and export it by using the EXPORT button. This creates a folder called publish_to_web that contains everything necessary for an online viewer to look at/hear your audio slideshow.
  2. Upload the contents of the entire publish_to_web to Google Drive. For directions, click through the galleries at the post “Using Google Drive as a Web Host” at this link: http://www.journotech.co.uk/using-google-drive-as-a-web-host/#more-587
  3. Write a blog post that explains the content of your story, including the title (this is the headline you gave it in Soundslides) and link to the publish_to_web folder you uploaded in Step 2 above. The link in Step 2 will explain what that link is.
  4. Email the link to the blog post containing the link to the audio slideshow to me at mjf0009@auburn.edu.

UNC Multimedia Bootcamp is where I got my first taste of journalistic documentary video storytelling. Not that this was my first video ever; I will confess to having made some terribly sophomoric sketch comedy using a video camera rented from the local mom-and-pop equivalent of Blockbuster Video back in the day.

While it wasn’t a boot camp in the “drop your *something* and grab your socks” kind of way, it definitely was a crash course. Remember that scene in Wayne’s World 2, where they had roadie training, and the veteran roadie who had bludgeoned a sweet shop owner to death with his own shoes to get brown M&M’s in order to get a band on stage was introducing himself? And he said, “You will hurt. You will have aches and pains. But you will get good.”

We got … well, competent enough after one week.

Afterward, I got a LOT of practice shooting a road trip to ancient Navajo and Hopi ruins in the Southwest with my father, an interview with a fascinating lady who is a muzzleloader shooting champion with a passion for creating Indian beadwork, and a piece on a mixed martial artist in Syracuse. So come to think of it, given the demands of producing research for academic presses on a regular basis, I’ve gotten more experience at this game than I thought.

UNC Multimedia Bootcamp is what got me up and running.

In just a week, we learned best practices for online video shooting and editing, basic html coding, interviewing for video and audio projects, and how all the elements of soundbites, natural sound, room tone, and voiceover-less editing combine with video footage to let the characters tell the story while the reporters stayed behind the camera or off to the side while conducting the interview.

We learned to become, as I tell my Multimedia Journalism students, Men in Black.

Our only presence is the standalone answers and reactions from interview subjects that we prompted with our carefully worded questions and by biting our tongues, smiling, nodding, and using the “dumb dog” expression while keeping our mouths shut and resisting the temptation to say, “Uh-huh … interesting … go on ….”

My assignment partner Tom Salyer, a freelance photographer from Miami, and I hit up a dozen businesses in downtown Chapel Hill and Carrboro, N.C., before we found someone willing to talk on camera and let us into their lives for a couple of hours of interviewing and B-roll filming.

This is the result.

Barry “Sid” Keith is just the best for letting us in. From one Tar Heel to another, thanks, Sid!

Barry "Sid" Keith's secondhand shop Sid's Surplus has been a fixture in downtown Carrboro, N.C., for decades.

Barry “Sid” Keith’s secondhand shop Sid’s Surplus has been a fixture in downtown Carrboro, N.C., for decades.

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